Archive for the ‘Movies’ Category

1997’s Titanic for The Greatest Film I’ve Never Seen Blogathon

I know that 1997’s Titanic was a film that several of my husband’s nieces saw over and over and over again.  I know that the film was directed by James Cameron.  I know that it starred Leonardo DiCaprio and Kate Winslet.   I know that Celine Dion sang the hit song for the movie, “My Heart Will Go On“, and that it won an Oscar for Best Song in 1998.  I also know that the elderly lady in the film was played by Gloria Stewart, an actress from the early 1930s, who played The Invisible Man’s fiancee in that 1933 film.   Those facts are about all I know of this film as I’ve never watched it.

Being a fan of classic movies, I admit that I am a bit of a snob if a film was made after 1969.   I also confess that if a film comes out today, I am likely to wait until it is available to rent on dvd or via a streaming service instead of going to the theatre to see it.  So, when Cameron’s monster hit arrived in theatres across the US in 1997, I decided to wait and see it via renting it.  However, at the time of the film arriving on dvd,  I was just too busy raising 3 kids, ages 6, 4, 2 and another one due in February of ’98 so viewing the film was put to the back burner of my life.

I am also not ignorant as to what happened on April 15, 1912.  That is the date that the luxury ocean liner hit an iceberg and sank in the icy waters of the North Atlantic, on it’s maiden voyage from Southampton, England to New York City.   Also, having lived in Missouri since 1993, I have heard about Molly Brown, the subject of the musical The Unsinkable Molly Brown, she being the feisty lady born in Hannibal, MO,  who became rich due to mining and survived the Titanic, doing all she could to help other passengers into the lifeboat that she was on.

Hollywood and Great Britain have actually produced two other movies about the Titanic’s sinking and those I have seen.  1953’s Titanic and 1958’s A Night to Remember.     I do recommend both movies that depict the tragedy in two different ways.

 

 

1953’s Titanic was made by 20th Century Fox.  Jean Negulesco directed and he had an excellent cast to work with: Barbara Stanwyck, Clifton Webb, Robert Wagner, Audrey Dalton, Thelma Ritter, Brian Aherne, and Richard Basehart. The plot of this film revolves around an unhappy wife, Julia(Barbara Stanwyck) who secretly buys passage on the Titanic for herself, and her two teenage children.  Julia is tired of living as an expatriate American and wants to move her children to her hometown of Mackinac, MI.  Julia’s husband Richard(Clifton Webb) finds out what she has done, and rushes to the ship, managing to buy a steerage-class ticket and gets on board.  He finds his wife and despite his efforts at reconciliation, the marriage looks to be truly broken.  There is a side plot, where the bitter couple’s teen daughter Annette(Audrey Dalton) falls in love with college student Giff Rogers(Robert Wagner) on board the ship. Thelma Ritter portrays a Molly Brown like matron, Brian Aherne is  the Titanic’s  captain, E.J. Smith, and Richard Basehart portrays a recently defrocked priest, George Healey, alchoholism being the reason he has lost his priestly duties.  Near the finality of the tragic event, forgiveness and love win out, bravery and courage are on full display, and I can sum up that it is a very moving film.

 

1958’s A Night to Remember, was made by The Rank Organization with Paramount Pictures taking on the US distribution of the film.  Directed by Roy Ward Baker, and with a very good cast to work with: Kenneth More, Honor Blackman(Goldfinger, The Avengers) Ronald Allen, Robery Ayres, Anthony Bushell,  John Cairney, and David McCallum(Man From U.N.C.L.E., NCIS), among others.

A Night to Remember was based upon a screenplay that was written by Eric Ambler, based upon the book Titanic by Walter Lord.  The film is very much told in the docudrama format and it follows with excellent detail the actual happenings on board the ship before it finally sank; the details as to what the employees of the ship were doing pertaining to their jobs on that fateful night.  The producers asked and found cooperative survivors of the Titanic disaster who agreed to be consultants on the film.  For some reason, the film didn’t do as well at the box office however, critics praised it.  I watched it and found it compelling and a film where the viewer will be thinking “if only” as there were so many of those during this event.  For example, if only the nearby ship, The Californian‘s radio operator had been on duty to receive the distress call from the Titanic, how many more lives could have been saved?

With a nice Christmas break approaching, I do plan to find Leo and Kate, and watch the film, finally!  If you are interested, Turner Classic Movies will be airing the 1953 Titanic on December 29th.  They have aired A Night to Remember in the past, so you’ll just have to be intrepid and search the monthly schedules to see if they’ll be airing it in 2019.   Be sure to visit Moon in Gemini for other great posts about films not seen before by classic movie bloggers.

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For the Claude Rains Blogathon: 1947’s The Unsuspected

Claude Rains could do no wrong, in my opinion, as an actor.  Whether he was playing the lead or a supporting character, as soon as his presence appeared  on the screen, one could be sure they were going to see a quality performance.  To honor the actor, who began his career on the English stage in 1899 as a child of ten, running on stage to be in a  crowd scene,  The Pure Entertainment Preservation Society decided to honor Rains on his November 10th birthday with a three day blogathon. Be sure to visit their blog’s site and read the other great pieces about Claude Rains.  I am pleased to be a part of this tribute and have chosen to write about Rains’s performance in 1947’s

The Unsuspected.   

The cast, and a solid cast too, working with Rains in this film: Audrey Totter, Constance Bennett, Hurd Hatfield, Joan Caulfield, Ted North, Fred Clark, Harry Lewis, Jack Lambert, and Ray Walker.  Directed by Michael Curtiz, screenplay by Curtiz’s wife, Bess Meredyth and Ranald MacDougall.  The film was based on a novel written by Charlotte Armstrong.  Warner Brothers Studios earned a nice sum from the release of the film.  

Rains plays Victor Grandison, the popular radio host of a “true crimes” radio show.  One evening in Victor’s home, his secretary Roslyn’s body is found hanging from a chandelier.  Suicide is what the police suspect and all who knew Roslyn are in shock.  A couple weeks later, Victor’s niece Althea(Audrey Totter) is throwing him a birthday party and a new shock arrives at the party in the form of one Steven Howard(Ted North).  Howard claims to be the husband of niece Matilda, who is presumed dead!  Matilda was involved in a boating accident while on vacation and her body was never found.  The length of time for a possible deceased person to re-appear alive is waning and Matilda’s share of the estate was to go back to her Uncle Victor.  Now that this Howard fellow has appeared claiming to be Matilda’s husband, he could fight for her share of the estate!  What a way to ruin Victor’s birthday party!

Poor Roslyn! The secretary is about to be murdered!

Althea’s drunk husband Oliver, Steven, and Jane, Victor’s manager-good to see Constance Bennett in this film. She was a star in the early 1930s.

Can Matilda trust her Uncle Victor?

Is Matilda starting to remember who Steven is?

Victor asks police detective Donovan(Fred Clark) to investigate Howard, who frustratingly seems to know all about Victor, Althea, and the rest of Matilda’s family.  Huge plot twist when Matilda re-appears!  Unfortunately for Howard, she has no memory of who he is and no memory of marrying him!  Without giving away a lot of the film’s plot, I will say that Howard has a reason to appear when he does into the Grandison Family’s lives, Althea and her husband Oliver(Hurd Hatfield) aren’t the idyllic couple, and Victor Grandison has an evil heart and mind.

Rains is great in this role.  With his rich and distinct voice, he’s perfect as a radio show host.  With his two nieces, he is caring towards them one moment, but then cunning and scheming, an uncle they need to respect and be wary of all the time.  Rain’s Grandison is ultimately only concerned with himself but is so polite and mannerly, it is a character trait that he can use in order to get his way in a lot situations.

The Unsuspected  is available to purchase through TCM’s Shop.

From time to time TCM airs this film so keep your eyes on the lookout via the station’s monthly schedule.  Here is a great trailer that I found on Youtube, that would have been used to advertise it to the filmgoers in 1947.

This has been fun for me to re-enter my hobby of blogging about classic films.  I took a hiatus in order to re-enter my career field of teaching.  I taught school eons ago, 1987-1991, then took a number of years off to be a stay-at-home mom to a lot of kids, 7 specifically.  When the youngest turned 12, hubby gently suggested I go back to my career and I agreed, it was time to return to the classroom.  So, while substitute teaching and working one year as a para, I had to take a few college classes, a teacher’s exam, and apply for a Missouri state teaching certificate.  With my certificate in hand, in early August I was offered a teaching spot at an elementary school and it is wonderful to be teaching full-time once again.   Hopefully I will be able to balance work and blogging with ease!

Ida Lupino Centenary Blogathon: 1947’s Deep Valley

Maddy Loves Her Classic Films is the blogging site for Maddy, a classic movie fan.  When I saw she was hosting a blogathon set for today, I asked to participate and she kindly accepted my request.  Maddy was wanting to honor an actress who also directed for tv shows and movies, Ida Lupino.  Be sure to visit Maddy’s blog site to read more excellent posts about Ida Lupino and her career.

I didn’t pay much attention to old movies when I was a kid.  Sure I enjoyed watching reruns of  The Three Stooges, The Little Rascals on tv afterschool,  and late on Saturday nights one of the tv stations I could access would air the old Flash Gordon serial.   When I was a college student, one summer, the PBS station out of Toledo, OH (Channel 30, I think?) would air old movies beginning at 1:00, M-F.  I began tuning in and that is where I first met Ida Lupino, in a drama that whet my appetite for more of these old movies.  I credit Lupino’s performance in this film with giving me a reason to begin to try and find more old movies, turning me into a classic film fan.   The Ida Lupino movie was Deep Valley made at Warner Brothers Studio hitting American movie theaters in 1947.

Deep Valley was based on a novel written by Dan Totheroh.  The novel sold well enough with the reading public for Warner Brothers to take notice and acquire the rights to turn the novel into a film.  Jean Negulescu was hired to direct, Salka Viertel, Stephen Morehouse Avery, and William Faulkner(yes, that William Faulkner!), were the screenwriters.  The soaring music was by none other than Max Steiner.  Cast: Ida Lupino, Dane Clark, Wayne Morris, Fay Bainter, Henry Hull, Willard Robertson.

Lupino plays Libby Saul, a young woman who lives with her parents north of Big Sur, California.  Libbie and her parents(Fay Bainter, Henry Hull) are pretty isolated, working their small farm to make a living.  We assume Libbie is a high school graduate but she doesn’t leave the farm for a job in any town that may be nearby, and she’s certainly not enrolled in any college.  She is the “wall” between her parents.  For some reason, her parents won’t communicate with each other and use Libbie as their communication method.  Married, but in name only, it’s a miserable home to live in and to get away from this choking, negative environment, Libbie often likes to roam the nearby woods and a deep valley with her dog.

Libbie dealing with her parents

Libbie seeking solace in the valley

A highway construction engineer and his crew of workers, prisoners from San Quentin, come to the area near the Saul’s farm, to continue working on a state road project.  Libbie can watch the men working from the woods, and she notices one convict, Barry Burnette(Dane Clark).  The engineer, Jed Barker(Wayne Morris) and the convicts come to the Saul’s farm one day to ask for water.  Libbie’s father, at first seeing a chance to make some money, agrees to sell the men water.  As Barker decides to walk away from this ridiculous offer, Saul changes his mind and lets them have the water for free.  Noticing how Barker notices Libbie, Saul invites the engineer to their home for dinner.  It is soon obvious that the Sauls want Libbie to strike up a relationship with Barker that will lead to  marriage.  Libbie is very shy, but does notice Barker’s kindness towards her.  However, at the dinner, she asks Barker questions about the convict Barry.  As the story picks up some speed, Libbie does meet Barry, they fall in love, and to find out the rest of this film, you’ll have to seek it out!

Engineer Barker is attracted to Libbie

Some questions for you to ponder though: Will Libbie and Barry be able to be together? Barry does escape from the work gang(spoiler) so will Libbie help him? What of Barker, will he be able to convince Libbie to give up on Barry?  Will the Saul’s find a way to renew their marriage? Will Libbie ever find a happier existance?

Libbie and Barry, the prisoner

Ida Lupino’s performance is what held me entranced as I watched this movie for the first time in the mid-1980s.  She absolutely makes one care about Libbie; sad, shy, simple Libbie.  You root for her in her search for love, search for a better life than the one she has on that farm.  Her performance touched me deeply and I still remember that aspect of her acting to this day.  I truly feel I owe it to Ida Lupino for my becoming a fan of classic films.

Publicity still of Lupino, the dog, and Clark from Deep Valley

Deep Valley is available to purchase via Amazon or TCM’s Shop.  If your local library offers dvds to rent, or if your community’s local movie rental store has a decent classic film area, it may be there. 

 

 

 

For the 1961 Blogathon: The Hoodlum Priest

Classic Film Fan(and Jane Russell fan) Moviemovieblogblog celebrated his birthday yesterday, April 27th.  He decided that a fun way to celebrate this year was to host a blogathon entirely dedicated to movies made his birth year of 1961.  As it happened, on my dvr list was a movie made in 1961 , The Hoodlum Priest.  I contacted my blogathon host and he said yes, write about that film! So, here it is, and fascinatingly to me, it was filmed in St. Louis!!    

Actor Don Murray was in St. Louis in 1959 to help promote a film he had starred in with James Cagney, Shake Hands With the Devil, when a priest approached him at the film’s screening to tell him of another compelling story Murray may want to tell.  The priest, Father Charles Clark, met with Murray the next day and told the story of his life as a priest. Father Clark was a Jesuit who taught at St. Louis University High School, but his real calling was reaching out to ex-cons and trying to get them back into society as successful citizens.  Father Clark had a plan, and with the backing of a St. Louis criminal defense lawyer, a foundation had been formed and Father Clark had been able to bid on a former St. Louis elementary school that was vacant on Cole Street.  Father Clark’s vision was to fully rehab the school and turn it into a home for ex-cons to live at as they learned job skills, received counseling, meals, and clothing.  An office would also be there for state parole officers.  The cons could live there until they were able to live on their own and away from the lure of returning to a criminal life.  What we today would call a “Halfway House”, this was Father Clark’s vision and if it could happen, it would be the first in the nation.  Father Clark told Murray that if a television story could be made and shown about the cons and Dismas House(Clark’s name for the house) that it would help bring in needed donations for the cause.  Murray was so entranced by Father Clark’s story that he decided to make a movie about Father Clark’s story.   After getting his pal Walter Wood to sign on as producer, and getting United Artist’s promise to fund the film if they liked the screenplay, Joseph Landon was hired to write the screenplay.  Murray  rewrote  the first screenplay himself under the pseudonym Don Deer.  When UA gave the greenlight to make the film,  Murray and Wood hired Irvin Kirshner to direct and Haskell Wexler as cinematographer.  Murray decided to make the film in St. Louis and to also shoot some scenes in Jefferson City at the state prison.

The film opens with a young man, Billy Lee Jackson(Keir Dullea) exiting the state prison in Jefferson City, catching the train to St. Louis, and being greeted by  hoodlum buddy Pio(Don Joslyn) who jumps on the train as it departs the train station.  Back in the Lou, Pio introduces Billy to Father Clark.  Father Clark is able to befriend Billy, who at first wants nothing to do with the priest or the church.  Father Clark is able to get Billy a job with a produce wholesaler market owned by the Marziotti family.  Father Clark also speaks at a socialite’s garden party in an effort to raise funds for Dismas House and since Billy attends the event as an example of Father Clark’s work, Billy meets the hostess’s lovely daughter, Ellen(Cindi Wood), and they soon begin dating.  All looks right with Billy’s life as he begins to re-enter society until money turns up missing at the Marziotti’s business.  Billy is wrongly accused and fired from his job.  Angered, he and Pio decide to rob the business.  Spoilers: Billy and Pio are confronted by one of the Marziotti brothers, and as the man tries to attack them with a crowbar, Billy shoots him and kills him.  After a chase by the police and a stand-off in an abandoned house, Father Clark is able to convince Billy to give himself up.  Tried in court and found guilty of murder, Billy receives the death penalty.  Father Clark visits Billy in the prison and is there with him until the end of his life via the gas chamber.  Depressed, Father Clark returns to St. Louis and Dismas House, to find a drunken Pio, who trashes a room in the house before collapsing and weakly admitting he needs help.

Billy’s first meeting with Father Clark

Billy in the gas chamber

The real Father Clark helping Murray with his collar

Dismas House in 1961

A short film yet told in a powerful way, especially the last moments of Billy’s life, The Hoodlum Priest is an interesting film.  United Artists assumed they had bankrolled Murray enough money to make a B movie, but as the film went over its originally set schedule, and needed more money, and dealt with a typical hot and humid Missouri summer, and an accidentally injured Keir Dullea, and extra costs due to a St. Louis union muscling its way in for jobs  for more crew workers not really needed, Murray was despairing over his first time as a movie maker.  However, at the first full-screening only for UA executives in NYC, the little film brought tears to their eyes and they knew this was no longer a B movie but an A.  Indeed, in 1961, The Hoodlum Priest, was hailed by critics and made many top ten film lists for 1961.

For many, it is an obscure film but it shouldn’t be that way.  Seek it out and give it a view.  Having lived in St. Louis County, specifically Florissant, for almost 20 years, I was especially delighted that the majority of the movie had been shot in St. Louis.  Incidentally, I was curious about the name “Dismas” and according to church legend, he was the criminal crucified next to Jesus who scolded the other criminal who insulted Jesus, asking Jesus to remember him when he died; Jesus answering Dismas that he would be with him in paradise.

For more information about this film, and to give credit to it as a source for providing research for this blog post, please visit this article from The Riverfront Times.

For the End of the World Blogathon: 1956’s Invasion of the Body Snatchers

I hadn’t seen Invasion of the Body Snatchers in a long time, last time having viewed it as a high school student.  When I saw the post about this blogathon, hosted by MovieMovieBlogBlog and Midnite Drive-In, I decided to participate  with a look at the 1956 film.  Be sure to visit either of the two hosting blogs to read more interesting  entries about the End of the World in films.

The plot of the film is simple, yet pretty fantastical to try and believe it could happen.  In fact, that is the main problem of the protagonist, Dr. Miles Bennell.  At the film’s opening scenes, we discover a frantic, hysterical Dr. Bennell, trying to explain what has happened in the town of Santa Mira, CA.   He is trying to explain the strange happenings to the police who have called in a psychiatrist and no one will believe what Dr. Bennell is trying to explain to them.  If they won’t believe him, it could prove to be the end of all humankind!

Dr. Bennell trying to get the psychiatrists to believe him.

The film then jumps to a long flashback to show us what Dr. Bennell has witnessed and  has caused him to become so hysterical.   Dr. Bennell was away at a medical convention and is greeted by his practice’s nurse,Sally, who picks him up at the train station and drives him back to his office.  On the drive, a young boy runs out in front of the car, crying and yelling at the adult woman who is giving chase.  Dr. Bennell stops the car and he and Sally get out to ask the woman what is going on?  The woman explains that her son has been acting hysterical saying that she is not his mother and refusing to go to school or to stay in the house with her.  Dr. Bennell finds this very odd and advises the mother to bring her son by the office when she gets a chance.  After getting to the office, Dr. Bennell finds a lot of the appointments made for that day have all been cancelled by the potential patients, and then his old girlfriend, Becky, arrives.  She tells him that her cousin Wilma is insisting that the uncle she lives with,Uncle Ira, is an imposter! Dr. Bennell agrees to make a housecall to talk with Wilma.  A bit of a side plot: Becky lets Dr. Bennell know that she has just returned from Reno and a fast divorce.  Dr. Bennell reacts with surprise and gladness and welcomes Becky to the club, he himself recently divorced.   Becky agrees to a dinner date with the good doctor and we can tell that they have a lot of “chemistry” with one another.

Glad that Becky is back in town.

Giving the distraught Jimmy a sedative, as he keeps insisting his mom isn’t his mom.

Wilma is close to becoming hysterical when she explains to Dr. Bennell and Becky why she doesn’t believe Uncle Ira isn’t Uncle Ira.  Dr. Bennell sees Uncle Ira in action, mowing the front yard and doubts what Wilma is telling him.  At the restaurant for dinner with Becky, Dr. Bennell runs into Dr. Dan Kaufman who says the same: he has had a rash of patients cancel appointments, and there has been an “outbreak” of patients claiming family members aren’t really their family members.  Dr. Kaufman shrugs it all off and sums it up as a  “mass hysteria”.  As Becky and Dr. Bennell are about to sip their martinis, there’s a phone call summoning Dr. Bennell to his friends’ home.  Off he and Becky go, to discover a hysterical Teddy(Theodora) and a worried Jack.  On the pool table is a human body, covered with a sheet.  Teddy and Jack don’t know who this person is but found it lying on their property.  The unknown person appears to be dead and  the body has no finger prints.  With assurances that Dr. Bennell will think of something before the police are to be called, he and Becky leave.  Teddy and Jack decide to keep watch over the body and sometime during the night they discover that the body  has turned into an exact copy of Jack!  This is just to much to stand so the two of them flee for Dr. Bennell’s house.

Examining that weird body at Jack and Teddy’s

Santa Mira has become a secret hiding place for giant seed pods.  If a pod is examined closely, it will contain a human form that will end up looking exactly like a resident of Santa Mira.  The duplicate can’t take over for it’s human counterpart until the human is asleep.  Dr. Bennell and Becky decide they have to get out of town to a bigger city to warn the authorities and the rest of the film is suspenseful as the plot follows the couple’s frantic escape attempts as the alien pod people have overtaken Santa Mira.

Those horrible seed pods!!

Running for their lives!

I was going to try and compare this first version of “Body Snatchers” to the version made in 1978, but as preparing for an overseas trip took up more of my life, I had to put that other film version on hold and hope to view it when my jet lag is gone!

For a well-crafted and great sci fi classic film, with a type of end-of-the-world motif, seek out The Invasion of The Body Snatchers.  Cast: Dr. Bennell-Kevin McCarthy, Becky-Dana Wynter, Dr. Kauffman-Larry Gates, Jack-King Donovan, Teddy-Carolyn Jones, Sally-Jean Wiles, Wilma-Virginia Christine, Uncle Ira-Tom Fadden.  Directed by Don Siegal, screenplay by Daniel Mainwaring.  The actual story idea was written by Jack Finney, for a Collier’s magazine serial.

 

 

For the Free For All Blogathon: Edward G. Robinson in a Non-Gangster Role

I enjoy reading Theresa Brown’s blog about classic movies.  She decided to create a blogathon for today, March 3rd, where classic movie fans could write about any film topic that they wanted to write about.  The more I see of Edward G. Robinson’s work in films, the more I can see what a wealth of acting talent he owned.  Primarily thought of as a gangster due to his early movie roles, he was able to move away from that persona and play a variety of characters.  I  decided to focus on one of his non-gangster roles, a role as far away from a gangster as one could get: the role of a loving, understanding father to a young girl.  Be sure to visit Theresa’s blog, Cinemaven’s Essays From the Couch to read all of the other bloggers’ interesting posts!    

Our Vines Have Tender Grapes, was a novel written in 1930 by George Victor Martin.  He based his novel on his wife, Selma’s, recollections from  her childhood of growing up in Benson Corners, WI.  Selma grew up in a community founded by Norwegian immigrants who kept some of their cultural ways and language while also working hard to succeed in America.  The book was extremely popular with the reading public so it was a no-brainer that MGM would come calling and buy the rights to Martin’s book and make it into a movie.  1945 was when the movie arrived at America’s box offices and it did a lot of business.  It even received a medal for “The Most Wholesome Family Movie” of 1945 from Parents magazine( I didn’t realize that that magazine had been around back then!)  Edward G., in  a wholesome family movie? It may be hard to believe but he’s cast as the young girl, Selma’s father, Martinius Jacobson, and he gives the role his all.  Selma was played by Margaret O’Brien, in a very touching part, and Jackie “Butch” Jenkins played her cousin, Arnold.  The always wonderful Agnes Moorehead played Bruna, Selma’s mother.  There’s a side story involving a new teacher in town, played by Frances Gifford and the community’s newspaper editor who has a crush on the new teacher  played by James Craig.  Others in the cast: Sara Haden, Dorothy Morris, Morris Carnovsky, Elizabeth Russell(she of Cat People fame), Arthur Space, Charles B. Middleton( he of Ming the Merciless fame), Louis Jean Heydt,Greta Granstedt, and Francis Pierlot.  The cast was ably directed by Roy Rowland.  Producer was Robert Sisk.  Screenplay was by Dalton Trumbo and this was his last screenplay before being blacklisted in the US government’s infamous hunt for communists in Hollywood.

Selma and her cousin, Arnold

Ingeborg tries to befriend Selma and Arnold

The editor loves the teacher but she hates rural life and yearns to go back to the city

The film is mainly told to us by 3 persons, Selma, her father, and her mother.  Not that they verbally break the fourth wall and talk to the camera/audience, but we see the actions and events of the story through their eyes.  Selma, and to a lesser extent Arnold, are always together either getting into mischief, meeting people, and they have one adventure that becomes very dangerous.  We see and hear these two children discuss WWII as best as two children could understand a war, discuss a young woman in town who they label “crazy” but we soon learn was born with intellectual and developmental disabilites, we learn of their admiration for “the editor” for that’s what they call the town’s newspaper owner, and their love of egg pancakes with honey, which Selma’s mother makes for them for supper.    Through Bruna, we learn of the worry she has for debt.  A neighboring elderly farmer, Bjorn Bjornson(Carnovsky) has built a glorious, new barn, through saving up his money.  Bruna thinks this is a waste of money since the Bjornson’s still have no indoor plumbing and shouldn’t Bjornson have thought of his wife’s comforts first? When Martinius(Robinson) begins to discuss the taking out of a loan to build himself a new barn, he is met with Bruna’s dissenting opinion, given in a polite yet firm manner.  It is a gentle and  sweet moment  to see his change of mind when he begins to talk aloud that he has enough money saved to improve the farmhouse for her and Selma and that a new barn can wait indefinitely.  Bruna is truly shocked by his announcement and can only express herself in tears of gratitude; there are a lot of tears in this film-from Selma, Bruna, and Martinius!

The Jacobsen’s: Selma, Bruna, and Martinius

No dry eyes when Selma recites the Nativity story at church

I was very, very impressed with Edward G. Robinson’s portrayal of Martinius.  He is so good as the wise and gentle father to Selma, and as the loving husband of Bruna.   There were a couple of key scenes that dealt with having to discipline a child and they were so true to any parent watching this movie, I could really relate to Martinius’s hesitations and actions.  The first was due to Selma and Arnold arguing about letting him have a turn using Selma’s new roller skates.  Bruna ordered Selma to give Arnold a turn and when she doesn’t, Arnold calls her a pig.  Selma becomes angry and pushes Arnold to the ground.  Martinius, tired and approaching the kitchen for a break from his labors, is asked by Bruna to take his turn at disciplining Selma for being selfish.  We can see the weariness cross his face and feel that load that he has agreed to take on. Disciplining a child is a task that a loving parent dreads to do, but has to do from time to time in order to keep one’s child from growing up to be a burden on society.  Martinius decides not to spank Selma, but tells her to give Arnold a turn with the skates.  When she boldly says, “No!” I was even shocked! Of course, we know Arnold lies to his Uncle Martinius about calling Selma a name, and that causes her to talk back to her father.  Martinius then gives her one more chance, let Arnold have a turn or no supper and immediate bedtime.  To that threat, Selma defiantly takes her skates off, and is about to carry them to the house when her father stops her, and orders her to give her skates to Arnold, and then she can turn in for the night.  Stung by her father’s discipline plan, Selma calmly hands the skates to Arnold and goes to bed.  Later in the evening, as Martinius is reading the newspaper, and we feel his unease at dishing out that discipline to Selma, she asks him through a heating vent that is in her bedroom floor yet opens to the living room ceiling, if won’t he come up to kiss her goodnight? More unease registers across Martinius’s face but he again sticks to his plan and tells Selma, no, and scolds her to get back to bed.  Bruna saves the skate debacle by reminding Martinius that the circus will be passing through their town at 4:00 a.m.  in order to get hay for the animals at a local feed store, why doesn’t he wake Selma up and take her there to see the animals? Martinius does just that and the bond between dad and daughter is made stronger and renewed.  The other key scene right out of Parenting 101 is due to Selma and Arnold’s reckless idea to take an old, metal tub(not an actual bathroom tub) and put it in a stream and play “boat”, with two large sticks as oars.  The area snow had melted, Spring has arrived, and there are small streams everywhere for kids to play in.  The danger is that the stream they are playing in quickly takes them into the river which is roaring with new water sources, and rising.  Word quickly gets out that the two children can’t be found, but someone saw them playing in an old tub.  The two children’s fathers, fellow farmers, and the editor rush to the bridge in order to be at the ready to catch the tub and rescue the children before it can pass under the bridge.  It is a very intense scene and I was relieved when the children were saved.  Robinson’s reaction is so on the spot.  He grabs his daughter, squeezes her hard, with tears flowing down his face, and then gives her one, hard swat, for doing such a dumb and dangerous thing.  Then he kisses her and carries her home as fast as he can to Bruna.

Martinius and Selma on their way to see the circus animals

I was able to view this film via Amazon’s Instant Rent.   It does appear from time to time on TCM so watch their schedule for it, and they also sell it in their online shop.  So check out Our Vines Have Tender Grapes for a chance to see Edward G. Robinson in a non-gangster role.   

For the Elizabeth Taylor Blogathon: 1948’s A Date With Judy

My daughters humor my love of classic films and will actually sit down from time to time and watch some with me.  Seven Brides for Seven Brothers is a favorite musical at our house, and from watching it, the girls wanted to see another film that featured Jane Powell.  One afternoon last year, TCM aired a musical comedy, A Date With Judy, and my daughters and I watched it.  What we didn’t know until we began the film was that Elizabeth Taylor was in it, as one of Powell’s co-stars.  Taylor began making films in 1942, had her first “starring” role in 1944’s National Velvet, and continued to hone her acting craft through her teen years in the later 1940s and early 1950s.  When I was asked to participate for this blogathon, to commemorate Taylor’s birthday-February 27th, I decided to write about A Date With Judy.  To read other bloggers’ pieces about Elizabeth Taylor and her films, visit Crystal’s site at In The Good Old Days of Classic Hollywood.

 

ADWJ is an MGM romance comedy, filmed in technicolor gorgeousness.  There is music, dance, and singing(Powell, Xavier Cugat and his Orchestra, and Carmen Miranda.) There are gorgeous gowns-mainly made for Elizabeth Taylor’s character.  There is the handsome hero, whom both Jane and Elizabeth have aimed to catch, Robert Stack.  Leon Ames and Wallace Beery provide two father roles.  Rounding out the cast: Scotty Beckett, Selena Royle, Clinton Sundberg, George Cleveland, Lloyd Corrigan, Stuart Whitman(uncredited role as a guest at a dance), Jerry Hunter, and Jean McLaren.  The film was directed by Richard Thorpe and was based upon a popular radio show of the day, with the same title.   

The plot is pretty straightforward.  Santa Barbara High School is getting ready to host a big dance and Senior Carol Pringle(Taylor) has managed to snag bandleader Xavier Cugat and his Orchestra to play for the dance.  Carol’s bff, Judy Foster(Powell), has been helping Carol with the dance preparations and is mad at her boyfriend Oogie(Beckett) because he said he’s not going to take her to the dance!  At the local candy/ice cream soda shop, owner Pop Scully(Corrigan) introduces Judy to his nephew Stephen(Stack.)  Judy is immediately smitten and delighted when Stephen, although a college man, agrees to escort Judy to the high school dance.  All seems to be going well for Judy until Stephen meets Carol, and he falls for her!!

Judy also becomes upset with her father(Wallace Beery).  Melvin Foster(Beery) wants to surprise his wife at their upcoming Wedding Anniversary party with his improved dancing skills so he secretly takes dancing lessons from Miss Rosita Cochellas(Carmen Miranda) who also happens to be Xavier Cugat’s girlfriend in the film.  Judy thinks her father is having an affair with Miss Cochellas!

Jane Powell and Elizabeth Taylor play well together, as pretty teens who are friends yet clash over the same guy.  The misunderstandings are funny, done in good taste, and at the end of the film, all is right with the world for all the characters involved.  For a funny film, with a great look at 1940s teen pop culture, tune in to A Date With Judy.  TCM will be airing it at March 12th, at 6:00 pm eastern time/5:00 pm central.  Here is the link to the movie’s trailer that MGM used to advertise it back in 1948.